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George Scialabba is still outfoxing the professional eggheads in For the Republic, his third collection of essays on political and cultural topics.
Read MoreBlues feeling remains as unpredictable as ever. Who would have guessed that its strongest incarnation this year so far would be Ironing Board Sam’s Super Spirit?
Read MoreIn order to pay tribute to the supreme Frits Lugt and his Fondation Custodia — and to protest the announced closing of the Institut Néerlandais with which it is joined — the column describes an example of Lugt’s collecting genius.
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“Die My Love” is a healthy bitch-slap, its shock encouraging young folks to dismiss the bullshit about relationships too many other movies have hawked over the past decade and a half or so.
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Maybe being quarantined for so long has taken its toll, but Hollywood satisfies well enough as a vibrant escape to glamorous parties filled with scheming executives and hot-to-trot actors on the make.
Read MoreRecent stand-out classical recordings boast fresh interpretations of familiar works, recordings of little-known repertoire, and some legendary performances by Pablo Casals. By Mark Kroll Harmonia Mundi has an excellent new recording of Mozart’s “Cosi fan tutte” with Rene Jacobs and his Concerto Koln taking just the right approach to Mozart’s great comic opera. The packaging…
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The quality of the experience has as much to do with the star’s in-person performance as it does with the film itself.
Read MoreHold These Truths is an invaluable reminder that alternative facts are not a new thing.
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Visual Arts Commentary: A Trio of Local Arts Colleges Complete Major Structures
Three Boston-based arts colleges have completed major structures. Each has taken a different aesthetic path to assert its very own institutional signature.
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