Search Results: homes
This was an enormously exciting production of Merchant of Venice, a reminder that theater can be (in fact, must be!) nervy.
In this dreamworld, the politics don’t matter. It’s the artfully gruesome spectacle that counts — that and the hackneyed Hollywood storyline about the hardened veteran mentoring the neophyte through an initiation into the harsh realities of the profession.
Steeped in technology, non-traditional public art is about sparking conversations about visuals as well as playing with contemporary aesthetic perspectives.
It’s a worthy effort –- and, as a listener, how many times will you have the chance for real adventure inside a concert hall?
An Arts Fuse regular feature: the arts on stamps of the world.
A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
In “Anora,” director Sean Baker brilliantly sustains a hybrid tone, weaving together LOL comedy, sadness, and rage.
John Adams’s Chamber Symphony brought out the best in Mr. Lewis as a conductor: it was fun watching him maneuver through the score’s intricate rhythmic patterns and his confidence was reflected by the Ensemble in a brash, involved reading of a far-too-little-heard (in these parts, at least) piece.
What remains so seductive about Almodovar is the way he replicates the movement of thought, creating a seamless weave between the story moving forward — rather minimal in this case — and the richer, more luminous past.
Jazz Appreciation: The Double Six of Paris — A 60th Anniversary Appreciation
2019 is the 60th anniversary of the formation of the Double Six of Paris, so it is a good time to shine a spotlight on the group’s spectacular work.
Read More about Jazz Appreciation: The Double Six of Paris — A 60th Anniversary Appreciation