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Gounod was no mere purveyor of gentle sentiments. This 1881 opera, superbly performed, shows plenty of drama and grit.
The publication of “There Is a Deep Brooding in Arkansas” is especially welcome and necessary at this time.
Professor Crowl’s attachments to both Shakespeare’s plays and the play of the Detroit Tigers are sincere and durable.
Russian Doll’s script still crackles with dark, cynical hilarity, and New York is still the gritty, gorgeous backdrop, the city where, clearly, anything can happen.
Must the stage only discreetly charm the bourgeoisie?
temping is a strange and experimental beast, and I look forward to seeing where this type of interactive experience goes next.
Muse upends convention by examining twenty-nine real life situations that offer a broader, and more generous, view of what a muse can be.
To judge from the BSO’s responsive playing and the audience’s enthusiastic responses, director-designate Andris Nelsons can’t do much wrong these days. Of course, a decade ago, neither could James Levine.
This American Repertory Theatre co-production gets so many of “Evita”‘s elements right — now all it needs is the musical’s combative soul.
The selection of Andris Nelsons, 34, as the BSO’s next chief is an inspired choice and bold, and not just because of his age.
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