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Despite some hiatuses and a non-lasting change in the guitar slot, X has amazingly soldiered on for four decades since its 1977 formation and 1980-1984 heyday to remain standing with its original lineup.
This pared-down staging of Tony Kushner’s 30 year-old masterpiece invites some reflection, even a kind of nostalgia. But blazing through — with seraphic force — is the harsh reality of how insane we have become.
Even though she covers herself with demurely crossed arms, her gaze could burn holes through fabric. If it looks like the artist had a predilection for strong, bosomy girls, well, there’s a reason for that.
These two performances showcase a group of instrumentalists whose collective musicianship is electrifying: full of just the right combination of wonder, play, and discovery this much-loved repertoire needs in order to sound fresh and truly come to life.
“Just like a rejuvenated marriage, we feel as if we can conquer anything. We’re excited, we’re excited to continue doing what we do, make music, tour, and see what comes of it.”
The documentary TABLOID comes at an opportune time: an enigmatic look at one of the greatest tabloid stories of all time (the film will convince you of that) as Rupert Murdoch’s tabloid news empire melts down amid allegations of phone hacking.
Dramatist Jeffrey Hatcher didn’t become a working adaptor until the mid-1990s. He saw that some of his playwright friends were doing it and he thought: “Why not me?”
Although some of Apeirogon is painful, this novel can inspire you to think differently and even to act, which is surely welcome after this horrible year in which we have all felt so helpless.
The Lyric Stage Company of Boston’s production can’t quite get its arms around all of the varied elements in this exhilarating musical, but some terrific performances make up for other weaknesses.
Music Commentary: In Memoriam, George Crumb (1929-2022)
George Crumb, who crafted some of the 20th-century’s most brazenly original-sounding and haunting music, lived his life and guided his career on his own terms.
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