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In recent years several serious artists, Amanda Parer among them, have created giant inflatable pieces with the aim of making cultural/political statements.
“Babygirl” comes off as a rather lascivious take-down of yet another older woman who has everything she wants except … sexual excitement.
Bryan McPherson has come a long way from writing songs in the room next to mine in North Cambridge and then busking at Porter and Harvard Squares.
By Helen Epstein If you want a country theater experience, complete with magical valley and stream and a freight train in the distance, go to Chester, MA this month. Chester Theater Company‘s The Nibroc Trilogy is a winner and will culminate on the final two Saturdays of the season (August 14 and 21) with the…
If you’re heading out toward the Berkshires and haven’t yet made plans for Valentine’s Day, consider taking your significant other to brunch at Shakespeare & Company for a five-course meal before the matinee. By Helen Epstein Les Liaisons Dangereuses by Christopher Hampton. Adapted from the novel by Pierre Choderlos de Laclos. Directed by Tina Packer.…
A rundown of three narrative programs and one documentary program. We just might see these directors’ names on future IFFBoston features.
As sure as “the crow/Makes wing to the rooky wood,” Mrs. Macbeth is going to fall tragically short when it comes to being an inspirational role model for marginalized females everywhere.
The overlapping worlds of ancient Paris architecture, entrenched police corruption, and the criminality of underground internet culture generate some suspenseful plot twists and white-knuckle scenes of terror.
Some tracks work better than others, but Maya Beiser’s larger effort succeeds in presenting Glass’s music in a more nuanced – and musically complex – light.
Fuse Commentary: A Tasting Menu for Boston Arts — An Idea Whose Time Has Come
Here’s a modest proposal. Let’s invent a Boston arts tasting menu.
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