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Film Review: Essential Francois Truffaut — “The Green Room” and “The Man Who Loved Women”

December 20, 2013
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The Museum of Fine Arts’ retrospective of the films of Francois Truffaut offers an opportunity to see some rarely screened late works by this master of 20th-century cinema.

Television Review: “Rosaline” — Burlesquing the Bard’s “Star-Cross’d Lovers”

October 19, 2022
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Every few years a smart teen rom-com comes along that deftly puts a modern, and pleasingly iconoclastic, spin on a classic piece of literature.

Book Review: “Under a White Sky” — Saving Ourselves and Nature

February 15, 2021
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Can we correct some of the mistakes we’ve made and engineer our way out of a deadly climate crisis of our own making?

Film Review: “To the Stars” — Girls Have It Tough

April 25, 2020
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To the Stars is a somewhat formulaic Middle America melodrama, enlivened by inspired and well-directed performances that infuse some radiant life into small town struggles.

Music Interview: Tim Jackson — on Robin Lane, The Band That Time Forgot, Johnny D’s, and the End of an Era

January 12, 2016
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“I hope that these new venues still want to book the occasional seasoned musician, because audiences of all ages still love rock and roll.”

Concert Review: New England Philharmonic’s “Shall We Dance?”

October 27, 2014
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Quibbles about some characteristics of the new pieces aside, hats off to Richard Pittman and the New England Philharmonic for daring to present a program like this..

Book Review: Know When to Fold ’em — Colson Whitehead Explores “The Noble Hustle”

July 24, 2014
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The Noble Hustle gives talented novelist Colson Whitehead an opportunity to spelunk in some of the gnarlier corners of the American dream, in this case the Tropicana in Atlantic City.

Arts Interview: America’s Arts Economy — Future Tragically Imperfect

February 23, 2015
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Over the next two decades, slow-creeping climate change is coming to the arts in America — the arctic ice on which the creative class stands is melting.

Dance Review: Brooking Challenges

July 12, 2013
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Instability is key to Brian Brooks’ choreographic agenda. Some of the dancers crouch on their hands and feet and are transformed into slow-moving mounts for the dancers balancing on their backs.

Theater Review: “Morning After Grace” — A Cause for Celebration

June 25, 2018
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It is heart-warming that, in these “worst of times,” playwrights like Carey Crim are working quietly to give us a look at new beginnings with humor and tenderness and hope.

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