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Are visitors supposed to feel some sort of guilty pleasure if they find Mary Ann Unger’s Across the Bering Strait powerfully mesmeric?
Greater Good is a fiercely compelling piece, confronting its audience with a complex exploration of some of the most pressing issues of our day.
Fuse writers Lucas Spiro and Matt Hanson once again bang their heads against the walls of some of art’s big questions.
The Grand Seduction has some mawkish moments, but it’s still a very sweet movie, skillfully made and charmingly told.
Futurism, as the Italian proponents conceived of it, ended up not having much of a future. But its practitioners had some good days at the beginning.
Two plays from major American dramatists interrogate how we come up with the stories we tell about ourselves.
Despite the charges of some purists, jazz was alive in the hands of a few veterans at Newport Jazz 2024, as well as newcomers sharing their own voices in the tradition.
At this year’s Sundance Film Festival, in the midst of the usual well-meaning social documentaries and “independent” celebrity tributes, some real cinematic ambition crept in.
You know we have come a long way when, just like everyone else, transsexuals can have their own mediocre musical.
Film Commentary: AI — Is Hollywood in its Virtual Sights?
Massive layoffs, cheapened content, and misinformation on steroids: AI text-to-video is coming for Hollywood, and it certainly feels like a curtain call.
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