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Rethinking the Repertoire #5: Leonard Bernstein’s “Songfest”

October 19, 2015
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Bernstein’s Songfest is Exhibit A in the argument that American orchestras and conductors need to champion the music of these shores.

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Fuse Coming Attractions: What Will Light Your Fire This Week

October 12, 2014
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Arts Fuse critics select the best in music, film, visual art, theater, author readings, and dance that’s coming up in the next week.

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Fuse Coming Attractions: February 29 through March 8 — What Will Light Your Fire This Week

February 29, 2016
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

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Fuse Coming Attractions: What Will Light Your Fire This Week

May 17, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

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Fuse Coming Attractions: What Will Light Your Fire This Week

November 2, 2014
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Arts Fuse critics select the best in music, film, visual arts, theater, author readings, and dance that’s coming up in the next week.

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Dance Review: Ids in Captivity

October 10, 2015
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Most of the piece was carefully engineered; it seemed more calculated than liberated

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Book Review: A Precarious Plenitude — “Digital Divisions: How Schools Create Inequality in the Tech Era”

March 29, 2021
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In this beautifully written, shrewdly researched, and artfully argued book, Matthew Rafalow contends that how teachers understand and regulate their students digital know-how has profound consequences.

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Film Reviews: At the Berlin International Film Festival — Diamonds, Drugs, and Sex

February 27, 2022
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Diamonds, drugs, and sex — the stuff of movies.

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Book Review: “Venus&Document” — Framing the World in Abstractions

May 21, 2022
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This novel of ideas reads like an essay narrated in the first-person by a self-absorbed automaton.

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Book Review: Roberto Bolaño —The Critic as Bomb Thrower

June 11, 2011
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This is adversarial criticism, with an eye on the martyred, fueled by grievances political and aesthetic — the return of the repressed as the comeuppance for the comfortable. No wonder Roberto Bolaño’s reviews garnered him fierce detractors as well as admirers.

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