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Alan Brody’s play is a pleasant valentine, and it will likely find a life in regional and community theaters.
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The Lighthouse generates dark humor from the madness of toxic males gone rogue — wired to dominate, even as they self-destruct.
Read More“The Sopranos” creator is the latest filmmaker to tackle the 1960s. He provides an antidote to the rose-tinted lenses of nostalgia, a grounded portrayal that evokes the truth of the period rather than the mythology.
Read MoreThe intriguing notion of a down-and-out clown troupe struggling with a classic text propels this superb production.
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The volume is devoted to print ads and event flyers for local eateries, concert venues, theaters, stores, and community events that were printed in the ’60s, ’70s and ’80s.
Read MoreEditor Jon Stallworthy’s preference in this superb anthology is for poems that question, or provoke questions about, war.
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Yiddish writer Celia Dropkin wrote not only of romantic love – a topic deemed quite suitable to women writers – but also of lust, anger, abasement, and violence.
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With visionary daring, Elllen Wilbur leads us into unexpected corners, then transcends them profoundly and beyond expectation. Such stories are more than “moral fictions.” They are soul-shakers.
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Never mind the faint of heart, Mimi Cave’s first feature isn’t for people with weak stomachs.
Read MoreA lack of dramatic combustion sometimes makes the Lyric Stage Company production, despite its intelligent detail, more staidly melodramatic than it should be.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues