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It’s worth pointing out that Martin Scorsese’s documentaries, especially his music-based ones, can be as powerful as his fictional work.
An illuminating book about the 19th-century American artist Francesca Alexander, a Bostonian who shaped a very different life for herself and for her art.
“There needs to be a bigger sense of community in the music world. Artists and labels and venues need to help each other out. There’s a void out there and I think Rock Garden Records is a positive new development.”
Once it gets its bearings, Mr. Fullerton, Between the Sheets, tosses and turns its way through the throes of hidden romance, miscommunication, reconciliation and, eventually, heartbreak.
This excellent film version of the play Fences meets (even exceeds) the considerable demands of August Wilson’s script.
These cinematic eyefuls will rouse you from the ennui you’re feeling these days, brought on by too many binge sessions watching Netflix.
Though disguised in holiday trappings, 1947’s “The Bishop’s Wife” is about human frailty, thwarted ambition, and the humble rewards that accompany doing the right thing.
An Arts Fuse regular feature: the arts on stamps of the world.
“Rapture, Blister, Burn” feels less like an exploration of feminism today than a clever sitcom pilot that won’t be able to sustain its jokes for an entire season.
Visual Arts Commentary: Boston City Hall — A ‘Triumph’ of Brutalism
Urban pollution and acid rain have not dealt kindly with Boston City Hall’s mostly concrete facade.
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