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From the homogeneous small town of Spettacolo, we travel to One October‘s ethnic gumbo of eight million in New York City.
The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
Poet Rob Cook bends time and space at will, dispenses with natural laws when convenient, and shuffles sensory perception like a deck of cards.
By Debra Cash From the hype, you’d think that ten years ago British choreographer/director Matthew Bourne was the first person to develop a post-Freudian “Swan Lake” or cross-dress a ballet production, and you’d be wrong. You’d be right, however, to call Matthew Bourne’s “Swan Lake” a phenomenon. In 1996-97 the work became the longest running…
There are just too many traumas on Hasfari’s checklist, too little time allotted to dramatic depth.
The swamp pop revival is receiving a big assist from The Revelers, whose members helped found two of Cajun music’s most prominent combos.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Congratulations to Gloucester Stage’s new artistic director Rebecca Bradshaw for mounting the regional premiere of this interesting script, a kitchen sink comedy/drama that is anything but routine.
I spoke with Jane Ira Bloom on September 21, 2021 via Zoom. This transcript has been edited for space and ellipses have been omitted for readability. Some paraphrases and details are added for clarity.
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