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My guess is that Keith Jarrett probably wasn’t satisfied with this performance. I wouldn’t change a note, a gesture, or a shading.
Read MoreFrom the homogeneous small town of Spettacolo, we travel to One October‘s ethnic gumbo of eight million in New York City.
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The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
Read MorePoet Rob Cook bends time and space at will, dispenses with natural laws when convenient, and shuffles sensory perception like a deck of cards.
Read MoreBy Debra Cash From the hype, you’d think that ten years ago British choreographer/director Matthew Bourne was the first person to develop a post-Freudian “Swan Lake” or cross-dress a ballet production, and you’d be wrong. You’d be right, however, to call Matthew Bourne’s “Swan Lake” a phenomenon. In 1996-97 the work became the longest running…
Read MoreThe swamp pop revival is receiving a big assist from The Revelers, whose members helped found two of Cajun music’s most prominent combos.
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
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In this genial, colorful memoir, Leslie McFarlane reveals the long path to how, anonymously, he became author of the most best-selling series of boys’ books in publishing history, twenty million volumes and counting.
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The season-long celebration of the fiftieth anniversary of Benjamin Zander’s debut as a conductor, which gets underway later this month when the Boston Philharmonic Orchestra (BPO) returns to the stage, doesn’t stint on festive spirit.
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