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Again and again, we are taken in The Will to See to places where regular reporters never venture, and certainly not filmgoers.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
This powerful documentary is a paean to what was once thought to be the immortal impact of cinema and television, a thoughtful commentary on life’s richness — and its inevitable impermanence.
On the occasion of the 160th anniversary of the Emancipation Proclamation, seven Black artists were asked to respond to the theme of emancipation.
Can somebody tell me, tell me please, why there’s suddenly such a profusion, a torrent… almost a glut, of significant art history books entering the marketplace right about now?
The protagonist may necessarily be passive in the face of his or her diminishing mental condition, but art must rage against the dying of the light.
Albanian writer reflects on winning the inaugural Man Booker International Prize for Fiction.
Ma Rainey’s Black Bottom is a stellar artistic accomplishment, a blazingly powerful dramatic experience.
My guess is that Keith Jarrett probably wasn’t satisfied with this performance. I wouldn’t change a note, a gesture, or a shading.
Film Commentary: Death Knell for American Independent Cinema?
The well has evaporated for much of new American independent cinema.
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