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Concert Review: moe. Peaks at Intimate Armory Show During 35th Anniversary Stand

November 26, 2025
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The group’s arc over three nights celebrating 35 years clearly followed an upward trajectory, displaying moe.’s improvisational prowess and sense of communal fun.

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Film Review: “Hamnet” — Not to Be

November 24, 2025
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In Chloé Zhao’s “Hamnet,” the Bard is a bore.

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Concert Review: Pianist Michelle Cann Glistens at the Isabella Stewart Gardner Museum

November 27, 2025
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Not only does Michelle Cann hold a seat in the upper echelon of stellar pianists, but she’s a great storyteller as well.

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Film Review: Low-Budget Films Were Alive and Well at The Year’s New York Film Festival

November 23, 2025
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Three independent films got a bounce out of the New York Film Festival and could be coming to you soon.

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Coming Attractions: November 23 Through December 8 — What Will Light Your Fire

November 23, 2025
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.

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Book Review: “Racebook” — Internetting While Black

December 13, 2025
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One of today’s most distinctive intellects wrestles with the internet and all its messy consequences.

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Dance Review: Doug Varone and Dancers — Beauty and Resilience for These Dark Times

November 22, 2025
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Varone and dancers made skillful use of some of the most luxurious movement vocabulary available in contemporary dance

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Concert Review: Joshua Bell, Anna Handler, and the BSO Confront de Hartmann’s Haunted Ukrainian Concerto

November 25, 2025
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The destruction and displacement of people today so recall the past that Thomas de Hartmann’s music resounds with fierce, resonant force.

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Book Review: “We Had it Coming and Other Fictions” — Bursts of Existential Powerlessness

November 19, 2025
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Luke O’Neil doesn’t have any solutions to our political dissipation, but he certainly knows how to diagnose its illnesses.

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Television Review: “The Seduction” — HBO’s French Aristocrats Behave Badly, But Beautifully

November 21, 2025
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“The Seduction” is visually stunning but, even though it is the magnificently clothed French aristocracy, it all comes down to unremarkable people behaving badly.

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