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By Caldwell Titcomb Richard Pittman ends the 40th season of the Boston Musica Viva on a strong note. Back in 1969, Richard Pittman founded the Boston Musica Viva (BMV), the first local ensemble dedicated entirely to contemporary music. On May 1, Pittman and his colleagues wound up their 40th season with a concert of three…
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William McGregor has crafted a remarkable debut feature, a notable addition to the burgeoning crop of indie folk horror offerings.
Read MoreThe disc’s assemblage of young and old pianists pays off — Handful of Keys is one of Jazz at Lincoln Center Orchestra’s better efforts.
Read More“If you’ll excuse me for being cheeky, it’s a collaboration between the players on stage and Beckett’s works.”
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By all means, explore history’s tragedies on stage — virtual or otherwise. But always keep a sharp, invigorating eye on the present’s tragedies-in-the-making.
Read MoreTouted in author Jonas Jonasson’s native Sweden as the perfect antidote to the grim noir Swedish trilogy that begins with The Girl With The Dragon Tattoo this delicious book has sold over 3 million copies around the world.
Read MoreBy Caldwell Titcomb The Palo Alto Chamber Orchestra (PACO), made up of the most talented high-school string players in California’s Bay Area, kicked off its first East Coast tour with an impressive June 27 concert in Harvard’s Sanders Theatre before a large audience that spilled over into the balcony.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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The Velvet Queen, elegantly directed by Marie Amiguet and Vincent Munier, is a vivid chronicle of an arduous journey, old-fashioned but visually high-tech.
Read MoreViolinist Regina Carter and her band drew the audience in with a sustained mood of intimacy, warmth, and unfailingly beautiful playing.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner