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Two powerful documentaries that explore the dark side of America, past and present.
Read MoreThis show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.
Read MoreTeaming up allows Bridge Rep, as a new company, to do a much, much bigger show than we might ordinarily be able to do: we can offer our audiences a large ensemble piece like The Libertine, which would be beyond our reach otherwise.
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BLKS is a bouncing, romping, profanity-laced, and sex-filled roller coaster — but it also has an important message for those who are not Black femme sisters
Read MoreIt’s clear these four musicians love playing together. As long as the magic lasts, it’s well worth your hearing.
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It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
Read MoreUltimately, there’s a “look at my technique” quality to composer Lewis Spratlan’s writing in this piece that doesn’t match the musical content and that seems to be striving to be all things to all listeners.
Read MoreIt was with great sadness that I learned that on the day after Christmas 2011 pneumonia carried off an underappreciated giant of jazz, saxophonist and composer Sam Rivers. His 88 years took him on a long journey from his midwestern origins to decades here in Boston and later in New York to a rich late period in the somewhat improbable locale of Orlando, Florida.
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This is an immensely complex, deeply atmospheric story of the working class, of immigrants with global origins, many who are descendants of early settlers.
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The Pink Cloud is a fascinating watch by sheer virtue of its accidental prescience.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner