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Eight by Tenn offers eight stories whose psychological depths and linguistic riches rival those of most full-length plays.
This show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.
BLKS is a bouncing, romping, profanity-laced, and sex-filled roller coaster — but it also has an important message for those who are not Black femme sisters
It was supposed to be an evening of sheer virtuosity, and that’s what it was.
Teaming up allows Bridge Rep, as a new company, to do a much, much bigger show than we might ordinarily be able to do: we can offer our audiences a large ensemble piece like The Libertine, which would be beyond our reach otherwise.
It’s clear these four musicians love playing together. As long as the magic lasts, it’s well worth your hearing.
It was with great sadness that I learned that on the day after Christmas 2011 pneumonia carried off an underappreciated giant of jazz, saxophonist and composer Sam Rivers. His 88 years took him on a long journey from his midwestern origins to decades here in Boston and later in New York to a rich late period in the somewhat improbable locale of Orlando, Florida.
It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
Ultimately, there’s a “look at my technique” quality to composer Lewis Spratlan’s writing in this piece that doesn’t match the musical content and that seems to be striving to be all things to all listeners.
This exhibit is ideal for the budding designer to come and admire dresses with structured tulle, unique hems, bias cut silk, pounds of beads, sequins, and rhinestones, weaved organza and mink accents. Scaasi: American Couturier at the Loring Gallery at the Museum of Fine Arts, Boston, MA until June 19, 2011. By Megan Trombino It…
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