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The Housekeeper may be too conventional for its own good, but it is intelligently crafted and engagingly entertaining.
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Karina Canellakis’s tour through Bartók’s “Bluebeard’s Castle” showed why she remains a conductor who continues to exercise a remarkable interpretive power.
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The godfather of Boston punk drew a who’s who of local rock history to a new music club on Cape Ann.
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Trumpeter Terell Stafford never seems to be straining; he can be exuberant without sounding brassy.
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em>Realistic storylines ground Platonic‘s comedy in recognizable trials and tribulations — and usefully steers it away from the tired can men-and-women-be-buddies debate.
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In both performances tempos are fleet but not rushed. The big moments – from the hellish apex of the first movement’s development to the screaming climax of the Scherzo and the cathartic resolution of the finale – pack heavy punches.
Read MorePatrick Barlow’s script and Chuck Morey’s direction of the Peterborough Players production turn “The 39 Steps” into a madcap, Marx-Brothers-style of zaniness barreling along at farce-speed until the very last moments.
Read MoreOlympia Dukakis makes good on her desire to evoke the weakness the indomitable Mother Courage fights so hard to cover up: the actress conveys the highs and lows of this gargantuan character with enormous power.
Read MoreJP Porchfest organizers see it as an opportunity not only to provide grassroots entertainment, but also to launch a community-building event that represents and celebrates the area’s ethnic and artistic diversity.
Read MoreBegin Again is a film with considerable flaws and strengths. The later include stellar performances by Mark Ruffalo, Catherine Keener, and Hailee Steinfeld.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner