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This is a fresh take on a teen sex comedy: someone who worships logic sets out to explore the complexity of sexuality.
In Ionesco’s play, society no longer makes sense — even to itself.
Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a detailed examination of…
Fiddler Daniel Hope’s new all-Schnittke disc with pianist Alexey Botvinov brings with it a level of authority that demands respect.
“Samuel Beckett’s work speaks to me because he’s a very visceral writer. And, because I have training as a clown, I think of him as a natural clown.”
Al Pacino, playing the title character, delivers his most impressive performance since he starred in Terrence McNally’s Frankie and Johnny a quarter century ago.
Daniele Gatti’s management of the orchestra – the unfolding of melodic lines and instrumental textures – was particularly noteworthy, matched here with a keen sensitivity to the music’s expressive detail: this was a riveting performance.
Playing nearly 60 songs across a trio of near-three-hour shows, jam-rockers Widespread Panic certainly made their return to Boston count.
Unlike Sundance, where “independent” has been stretched to allow for expensive non-studio movies with slumming Hollywood stars, the films we watched at Seattle were mostly low budget.
Terry Tempest Williams thinks that we must seize opportunities to save an increasingly endangered world — we don’t have a choice to feel powerless against the forces that seek to exploit and destroy the beauty of life on this planet.
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