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Two new wordless picture books feature animals as friends, revealing greater truths about community and the environment.
Dire Straits and its string of hits made Mark Knopfler a well-known figure, but going solo gave him freedom to present a wider range songs.
Fascism is faced down in Walter Salles’s Oscar-nominated masterpiece.
Everyone is a bit more stupid than they need to be in this movie, both the Germans and the Jews.
Sit Fast’s performances are breathtaking for their clarity and emotional involvement; Vladimir Jurowski serves up a ho-hum, un-monumental an interpretation of a late-Romantic pillar.
Could it be, I dream, that a resurgence in local video shops much be in the cards, like the vinyl record stores that are popping up everywhere now?
In the US, Thomas Mann tacitly proposed himself as an almost messianic figure, stately, dramatic, and wrathful at once, striding forth to represent German culture in exile and, increasingly, free Germany itself.
With concerts all but wiped off the calendar by the pandemic, our critics naturally spent their time with recordings (and virtual live shows).
Dominique Abel and Fiona Gordon’s vision tries to elevate the everyday to a realm of magic by way of the absurd.
This week’s poem: Debra Cash’s “Not All the Gates of Heaven Jerusalem”
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