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Television Review: “Pam & Tommy” — That Icky Feeling

February 4, 2022
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What is the most depressing thing about Pam & Tommy? The series provides the most sympathetic portrait of Pam Anderson that is out there.

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Rock Preview: The Zulus’ Reunion — A Band That Can’t Be Ignored

August 23, 2021
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“Once we have the chemistry in the room, it’ll come back,” says the Zulus’ guitarist Rich Gilbert.

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Sundance Film Festival 2023, Dispatch #3: Magic Beneath the Surface

February 8, 2023
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Two horror-adjacent films at this year’s Sundance Festival — Sorcery and Animalia — were strikingly beautiful.

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Fuse News: Arts and Culture Tips — What Will Light Your Fire This Week

July 18, 2013
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Arts Fuse critics select the best in music, theater, and film that’s coming up this week.

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Concert Review: The New England Conservatory Philharmonia at Jordan Hall

October 5, 2018
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What wasn’t there to love about 20th-century music on a night like this? In a word, nothing.

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Visual Arts: Simon Fujiwara at Harvard’s Carpenter Center — A Canny, Wildly Funny Lens on Modern Ideas

November 2, 2014
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Simon Fujiwara epitomizes the new model of a successful avant-garde artist in the world today.

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Film Review: Should We Fear Miranda July’s “Future”?

August 12, 2011
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THE FUTURE, director/actor Miranda July’s followup to 2005’s ME AND YOU AND EVERYONE WE KNOW is brave, unexpectedly poignant and devastatingly sad.

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Theater Review: Actors’ Shakespeare Project’s Extraordinarily Meta-“Hamlet”

October 18, 2016
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In this innovative production, Hamlet comes off as Shakespeare’s most successful genre mash-up of tragedy and comedy.

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Television Review: “The Horror of Dolores Roach” — The Curse of the Magic Hands

July 7, 2023
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“The Horror of Dolores Roach” is a captivating mixture of horror, suspense, and comedy that proves we haven’t come all that far from the class-fueled injustices of Victorian England.

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Fuse Theater Review: “Via Dolorosa” — An Innocent Abroad in Israel

January 10, 2016
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Via Dolorosa would have been more effective if it had taken the form of a travel essay rather than a performance piece.

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