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“No Hurry” is a book about aging: the conscious pang of the loss of past intensities, the treasuring of the quieter now, the achingly slow death of sex.
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What our planet needs now is the reincarnation of a writer who, while combing through the nooks and crannies of society for painful truths, uses depictions of the present to demand future changes.
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Two Boston-area chamber music ensembles recently ended their seasons. Each embraced the present in its own distinctive way.
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Tastefully colorful and aesthetically pleasing, stylish as well as minimalist, modern yet richly symbolic, the Look of the Paris 2024 Olympic Games got many things right and a few wrong.
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The Lost King contains perhaps too many calculated moments of sentimental synchronicity. Still, it manages to soar, thanks to the excellent performance of its lead, Sally Hawkins.
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François-Xavier Roth and his period ensemble Les Siècles serve up freshness of playing and conviction of interpretation; Manfred Honeck is a conductor who can draw compelling, electrifying accounts of the standard canon as if on cue; the verdict’s mixed on the music of Lithuanian-born composer Mikalojus Čiurlionis.
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Pete Shelley’s elegies for the wilted flowers of romance were shouted over songs that were alternately tuneful and fierce.
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It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.
Read MoreBeyond the Hills is not the horror film the trailer seems to advertise, but it is certainly horrific.
Read MoreIt can be a long wait for the end of the world, even though it lies only a week away, to wit, from the beginning to the end of the Israeli film “We Are Not Alone.”
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Arts Feature: Best Movies (With Some Disappointments) of 2025