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Instead of techno-utopian rhetoric, Electrify offers a plan with pragmatic steps to create a better environment and a stronger economy.
Read Moreby Bill Marx What particularly disappointed Boston Globe theater critic Louise Kennedy about the Huntington Theatre Company’s recent production of David Rabe’s Streamers was that it lacked the emotional impact of the 1976 staging of the script. She found it “painful because that earlier production clearly resonated with its audiences as a powerful antiwar statement,…
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Newport Folk Festival will likely never deliver cameos as ground shaking as those in 2022, when stars aligned for Joni Mitchell and Paul Simon to grace separate tributes. But it doesn’t have to, given that there’s so much talent already on site.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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In order to appreciate this smorgasbord of schlock by independent filmmakers from around New England, it’s best to understand the program in context
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“Individual stories are the single most important component of any collective, and your story matters more than you can know.”
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In its efforts to subvert well-known tropes, and reclaim the subgenre’s feminist cultural potency, Promising Young Woman undercuts its own transgressive potential by doing away with what makes rape-revenge films compelling.
Read MoreThe President doesn’t try to drum up easy sympathy for its arrogant anti-hero.
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Throughout, Gen Z, Explained does its best to help readers relate to its protagonists by placing them in Gen Z’s shoes.
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It is as poignant as it is ominous that Jeff Weaver will be among the last painters to document the last gasps of Gloucester as locals have known and loved it
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler