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The Quiet Girl is the first Irish language nominee for the Best International Feature Oscar, and it’s not hard to see why this subdued gem of a film is capturing hearts.
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The company’s staging is dynamic and vivacious, and the unconventional seating arrangements give audience members the chance to place themselves in the center of the action.
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Two films about the glories of summer are infused with bittersweet reminders of the reality of social class in America.
Read MoreIn a living society every day is a day of judgment; and its recognition as such is not the end of all things but the beginning of a real civilization. – George Bernard Shaw, “The Simpleton of the Unexpected Isles,” preface, 1936. Heartbreak House by George Bernard Shaw. Directed by Gus Kaikkonen. Presented by The…
Read MoreIn the theater, sentiment must be earned – Violet is moving and likable, but its pathos is only skin deep.
Read MoreThe 7 Fingers can be depended on to fill everyone’s belly with spectacle.
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Instead of techno-utopian rhetoric, Electrify offers a plan with pragmatic steps to create a better environment and a stronger economy.
Read Moreby Bill Marx What particularly disappointed Boston Globe theater critic Louise Kennedy about the Huntington Theatre Company’s recent production of David Rabe’s Streamers was that it lacked the emotional impact of the 1976 staging of the script. She found it “painful because that earlier production clearly resonated with its audiences as a powerful antiwar statement,…
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Life Is Strange 2 makes no secret about its sympathy for Mexican-Americans in the era of Trump.
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Arts Feature: Best Movies (With Some Disappointments) of 2021
Our demanding critics choose the best films (along with some disappointments) of the year.
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