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What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community—making power of interactivity. This is our second session. Hear Ye! Hear Ye! For dance critic Debra Cash, Serenade/The Proposition, the first of Bill T. Jones’s investigations…
Read MoreBrian Seibert’s history of tap dancing has unleashed something I can only describe as a tap world pissing contest.
Read MoreSweat and Indecent serve as forceful reminders that art matters — as if proof was needed.
Read More[Updated.] Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Read MoreAs the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
Read MoreWonder why Boston theater is so bland, why there is so little political resistance?
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreArts Fuse critics select the best in music, film, visual art, theater, author readings, and dance that’s coming up in the next week.
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Translator Interview: John Taylor on Philippe Jaccottet
“We have entered an age of unequivocal partisan discourse, of linguistic robotization, of tiny symbols standing for complex emotions. In total contrast to this, Philippe Jaccottet’s writing constantly shows nuance, attentiveness, perseverance, circumspection, and a genuine quest for essential truths.”
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