Search Results: The Slip online

Film Review: “Finding Kukan” at the BAAFF — A Compelling Detective Story

October 19, 2017
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Finding Kukan is a compelling detective story covering the fields of World War II history and film preservation.

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Theater Review: The Joint’s Too Big, But It’s Still Jumpin’

January 31, 2007
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By Thomas Garvey It hit me about halfway through the second act, when a shirtless Joe Wilson, Jr. slid down a rope and began to work a truly spectacular set of pecs: “Ain’t Misbehavin’” could be the horniest show I’ve ever seen in Boston. And Wilson is the horniest thing in it – in fact,…

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Fuse Coming Attractions: What Will Light Your Fire This Week

June 21, 2015
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Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.

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Film Festival Reviews: New Directors/New Films — An Accomplished Trio

April 20, 2025
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Three films that stood out at this year’s annual festival at the Museum of Modern Art and Film at Lincoln Center.

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Dance Review: Gauthier Dance — Distinctive Exuberance

July 8, 2016
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As a group they are exuberant, personable, immediate, which in turn makes even the meh choreography palatable.

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Classical Concert Review: The Harlem Quartet at the Shalin Liu Performance Center

February 2, 2023
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Hey, any string quartet that has performed and recorded with Chick Corea (in the album “Hot House”) is ok by me.

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Theater Review: “The Chairs” — Not a Full House

October 22, 2021
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At the very least, Ionesco’s drama about the unreality of the world should produce shudders as well as chuckles.

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Theater Review: “Exposed” — A Toothless “Tartuffe” Update

December 14, 2015
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A genuine satirist kicks against all the pricks, relishing that he or she might challenge rather than placate audiences.

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Theater Review: “Say Goodnight Gracie” — Comedic Comfort Food For Aging Palates

June 27, 2013
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“Say Goodnight Gracie” revels in familiarity and age. It travels on creaky wheels of recognition rather than on rockets of revelation.

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Theater Review: “Dead Man’s Diary” — Dare to Enter

May 17, 2017
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This production’s approach to Bulgakov’s source material is refreshing in its directness; it’s also bursting with visual and auditory inventiveness.

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