Search Results: The Slip online

Film Review: “Filmlovers!” — A Valentine to the Movies and the Cinema-Going Experience

July 22, 2025
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This piquantly enjoyable docufiction emphasizes how movie spectatorship encourages empathy and understanding.

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Book Review: The Poetry of Zbigniew Herbert — Mr Cogito’s Insomnia

June 25, 2025
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How should artists live under autocracy? A Cold War Polish poet doesn’t have good answers, but offers chilling advice.

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Filmmaker Interview: Director Eric Green on His Documentary “Life On the V: The Story of V66”

February 26, 2025
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“V66 is a piece of broadcast history that a lot of people don’t know about. I’m proud to be the person to tell its story.”

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Theater Review: “The Catastrophist” — Celebrating Science

April 15, 2021
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The Catastrophist is an opportunity to begin processing our experience with a pandemic that has fundamentally changed our lives in ways we cannot yet fully comprehend.

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Classical CD Reviews: Estonian Festival Orchestra’s Shostakovich and Andrew Manze’s Mendelssohn, vol. 2

January 29, 2018
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Paavo Järvi and the Estonian Festival Orchestra present a probing and excellent version of Shostakovich’s Symphony no. 6.

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The Arts on the Stamps of the World — April 24

April 24, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Weekly Feature: Poetry at The Arts Fuse

September 4, 2025
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This week’s poem: Shangyang Fang’s translation of Chen Yuyi’s “Remembrance of Days in Luoyang”

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Theater Review: “Barbecue” — Not Enough Meat on These Bones

April 18, 2017
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Beneath Barbecue’s jokes there’s little but a chic cynicism.

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Theater Commentary: The Boston Theatre Critics Association — Wasting Its Time

May 28, 2018
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Recommended hashtags for the Boston Theatre Critics Association: #MeTooGiveMeTime, #MeTooNotYet

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Theater Review: “The Atheist” — A Pint-Sized Heart of Darkness

September 15, 2007
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By Bill Marx The Atheist by Ronan Noone. Staged by the Huntington Theatre Company at the Calderwood Pavilion, Boston, through September 30, 2007. Machiavellian monsters aren’t what they used to be in the theater. The gloriously godless creeps that memorably rampage their way through the plays of Shakespeare, Jonson, Shaw and Brecht scale the dizzying…

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