Search Results: The Slip online
Directed ably by Joel Zwick, a long-time collaborator of Hershey Felder’s, the excellent Maestro: Leonard Bernstein includes the performer singing, playing the piano, and conducting as well as telling stories.
Read MoreChoreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
Read MoreThe Road to Ruin is a practically unknown film begging for discovery, and to be championed as a startling example of pre-Code cinema. And as a keystone for creating a directorial reputation for “Mrs. Wallace Reid.”
Read MoreThe stupendous Fritz Lang retrospective running over the course of this summer at Harvard Film Archive will soon screen two Lang remakes (in America) of films directed by Jean Renoir.
Read MoreFaced with the dual dilemmas of the opacity of the albums themselves and the now painfully obvious narrative of colonialism, wealth, and white privilege, some of Fellow Wanderer’s authors dodge into more easily researched side issues.
Read MoreBoston’s veneration of John Singer Sargent is awkwardly implicated in the city’s habit of denouncing modern art.
Read MoreFuse dance critics pick some of the outstanding performances/events of the year.
Read MoreShannon Bowring is a wonderfully wise and compassionate writer, exquisitely alert to the varieties of human experience that exist at the end of the 20th century.
Read MoreIt is clear to Candy Darling’s biographer that the present moment contains alarming reminders of the political scapegoating generated by the culture wars of the ’90s. She leaves no doubt that her subject’s difficult, complicated life embodies a cautionary tale.
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Film Commentary: You Know It When You See It — Desire and “Blue is the Warmest Color”
Without its many steamy lesbian sex interludes tarting up what could otherwise be classified as a routine narrative, would “Blue is the Warmest Color” have garnered so many rave reviews and prizes?
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