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By Steve Elman My conversation with jazz critic Bob Blumenthal circled around two poles. Part one focused on the music of Sonny Rollins. Part two concentrates on the making of the new book, Saxophone Colossus: a Portrait of Sonny Rollins. Text by Bob Blumenthal. Photography by John Abbott. Abrams, 160 pages, $35. Aside from the Saxophone…
Read MoreMark Harvey and the Aardvark Jazz Orchestra: It’s hard to remember what the Boston jazz community was like before Harvey came along. In fact, the term “jazz community” would have seemed far-fetched at best if anyone had used it.
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“Why read Zola now? Leaving aside sheer enjoyment of his narrative art, I’d say: because his representation of society’s impact on the individuals within it memorably depicts what it means to be a human being in the modern world.”
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Theater Commentary: Is a Five-Year-Old Tony Kushner Play Too Challenging For Boston?
The only Boston-based companies that have the means to stage an epic on this scale will shy away from the content while those adventurous enough to handle its iconoclasm lack the means.
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