Search Results: BUH-BYES
The best of Kageyama Kōyō’s photography contains a nuanced dramatic power that is both aesthetic and political.
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A lot goes on in an epic — three acts over three hours with two intermissions — and there’s boatloads for Kate Hamill to dramatize and for the audience to digest.
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A massive, comprehensive new box set once again shows us the diva’s indomitable place in the history of opera.
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In its day, Ingagi raked in the crowds with a promise of weird African animals and “wild” women, and a teasing of bestiality.
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As a fellow female artist who is working to develop her own career, photographer Elizabeth Waterman acknowledges and honors the humanity and dedication of her subjects.
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The premier entry in the HBO documentary series “Music Box” shows how everything about the concert celebrating the 30th anniversary of Woodstock goes terribly wrong, then gets worse.
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Despite its potential for black comedy or moral sermonizing, 4×4 remains a gripping suspenser.
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This effort is the most ‘Hollywood’ score the BSFO has created yet, a plush musical carpet for The Man Who Laughs’s emotional high and lows.
Read MoreLike Samuel Beckett, Enda Walsh does not ignore the tenderness that flourishes, often under the duress of absurdity.
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“Spooky Action” succeeds at its ‘unreasonable’ mission — to supply poetry that sears the mind, charms the heart, and uplifts the spirit.
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