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Film Review: “Her Smell” — Fiddling with Our Viscera

April 26, 2019
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Her Smell is funny-terrifying, alluring-repulsive, moving-disturbing, era-capturing and timeless.

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Book Review: “The Farm” — Obsessed With The Land

October 4, 2018
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There can be no future, Héctor Abad seems to be arguing, when everything you are is hidden away in a time you can never fully know.

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Dance Review: Dystopian Dancing — Pina, a 3-D documentary

December 26, 2011
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As a dancer, Pina Bausch was the presiding spirit of speechlessness. She had the macabre body of an anorexic, but her matchstick arms communicated entire inner worlds.

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Book Review: “Heretical Aesthetics: Pasolini on Painting” — Demanding the Miraculous

July 25, 2023
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It is the volume’s autobiographical component, the accounts of Pasolini’s wide wanderings in art and aesthetic revelations, with their dramatic, cinematic flashbacks, that give this collection much of its literary value.

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Film Review: “M3GAN” — Child’s Slay

January 14, 2023
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M3GAN is a movie algorithmically generated to spawn as many memes about itself as possible before undiscerning viewers realize what they’re watching is a reworked Black Mirror draft.

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Concert Review: Sergio Mendes & Bebel Gilberto — 60th Anniversary of Bossa Nova

October 24, 2019
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For Sergio Mendes, the captivating anniversary show was a chance to look back on the early years of bossa nova and its birthplace.

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Book Review: “The Great Gatsby” — The Greatest American Novel?

October 11, 2014
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There’s no debate: The Great Gatsby is the Great American Novel, with Moby Dick and Huckleberry Finn as also-rans.

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Theater Review: “Ernest Shackleton Loves Me” – Musically Engaging But Dramatically Weak

September 27, 2015
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This show’s eclectic score is more progressive than what is typical of our determinedly conservative modern musical theater genre.

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Poetry Review: Romanian Poet Gellu Naum — Living in the “Blue Crypt under the Night’s Obscure Seal”

August 22, 2014
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Gellu Naum does not use the heterogeneous juxtapositions of surrealism to create something jocular, absurd, prankish, or gratuitously paradoxical.

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Theater Commentary: An Anything-But-Banal Love Story

December 13, 2011
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The play does not address Hannah Arendt’s rationalizations or the reasons for her dedication to Martin Heidegger, though the dramatist’s title hints that it is the banal truth of the irrationality of love.

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