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Film Review: “Death to Metal” — Heavy Metal Hijinks

December 19, 2021
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Death to Metal is the best sort of low-budget exploitation flick because its ideal balance of ridiculously excessive gore and self-aware humor makes up for its technical and budgetary shortcomings.

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Book Review: “Shakespeare in a Divided America” — Illuminating the Bard’s Influence on Our History

April 5, 2020
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Shakespeare’s role in American history is not immediately apparent — at least it wasn’t to me. Part of the considerable pleasure of reading this book is seeing how James Shapiro draws the connections.

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Book Review: “Tightrope” — A Wake-up Call for America

March 11, 2020
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What makes this book so necessary is that these are writers willing to state realities that members of both parties prefer to keep under the rug.

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Dance Review: Tom Gold Dance — An Uneven Outing

July 1, 2015
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“Ballet is only good when it is great,” the legendarily unblinking dance critic Arlene Croce once wrote; whenever I bring that judgement to mind it makes me both swallow hard and sigh softly.

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Jazz Album Reviews: Two Remarkable Duets — Charlie Haden/Jim Hall, Kenny Barron/Dave Holland

November 3, 2014
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Jim Hall sounds at his best on these newly issued duets. So does Charlie Haden, whose plangent sound has rarely, if ever, been captured so well.

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Book Interview: Jim Vrabel Explores Boston’s History from the Grassroots Perspective

September 28, 2014
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A People’s History of the New Boston takes the “grassroots” view and tries to give overdue credit to the role that community activists and neighborhood residents played in building the “New Boston.”

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Book Review: “The Hilltop: A Novel” — Serious Israeli Comedy

January 3, 2015
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Assaf Gavron’s sweeping, smart, often funny new novel spins a satiric update on Exodus.

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TV Review: “Breaking Bad” Ends Well — “It’s All Over Now, Baby Blue”

September 30, 2013
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Over the past five years of Breaking Bad, the chemistry of fate has run its course.

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Theater Review: “Homebody” – A Nation in a Reading Nook

May 2, 2017
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Debra Wise’s stellar turn is not only a reflection of her long stage career, but a testament to the breadth of her experience.

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Concert Review: Tchaikovsky, Takemitsu, and Shostakovich at Symphony Hall

April 28, 2017
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Violinist Anne-Sophie Mutter gave a searing, intense reading of the solo part in Nostalghia (In Memory of Andrei Tarkovskij).

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