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I was mesmerized by the coherence of the shifting patterns, their ideas so clearly presented, even though the work by no means provided more than a suggestion of a story.
Read More“The Whore From Ohio” is a provocative reminder that the same creature that is born to eat, drink, copulate, rot, and die is also a creature that dreams, tells stories, contemplates its own existence, and attends the theater.
Read MoreIn “Some Day,” Shemi Zarhin has masterfully woven together a tangle of bittersweet tales and elusive dreams. it is a book that is a pleasure to read and reread.
Read More“It’s easier to make a movie now but it’s harder to get it distributed in a way that people will see it.”
Read MoreBritish dramatist Caryl Churchill proffers a valuable line of satiric attack on our delusions of doing good, so it is easy to forgive the dramatist her broad and scattershot comic approach.
Read MoreArts Fuse critics select the best in dance and music that’s coming up this week.
Read MoreThe first half of “The Broken Circle Breakdown” is directed in the most conventional way. In the better second half, the leads dig deeply into their characters, sing bluegrass wonderfully.
Read MorePeter Pullman deplores (without bathos) the wreckage of Bud Powell’s life and mourns (without tears) the consequent loss of so much masterful music. And his story of Powell’s life is even grimmer than the one we have previously been told.
Read MoreThis, my friends, is what 80 looks like.
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Music Commentary: Capleton’s Redemption Song?
Capleton’s cancellation at Boston’s Hibernian Hall shows that reggae stars can’t easily escape their anti-gay discographies.
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