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This documentary explores the lives of 6 movie-crazed, teenage brothers who grew up locked away in a NYC housing project.
The impish comedy and refreshingly realistic perspective of Dope questions easy answers to pressing racial problems.
After experiencing, in seven days, Monteverdi’s three extant operas and his Vespers of 1610, I am in awe of BEMF and everyone associated with it.
The best of Kageyama Kōyō’s photography contains a nuanced dramatic power that is both aesthetic and political.
There is little for the audience to take away from Red, except the anecdotal dramatization of an event inspired by Mark Rothko’s career.
Few companies can do pageantry quite like ABT, buoyed by its vast resources as well as on this occasion the company’s desire to celebrate its 75th anniversary with panache.
M.I.T.’s Sean Collier Memorial does not make a full-bodied artistic statement — it does not elicit a strongly felt aesthetic or visceral reaction.
Richard Nelson does not compel us to pay attention to his characters’ psychological disclosures, and his reluctance to underline is refreshing.
Rose Marasco’s strong sensibility is always at work, searching for contrasts to capture in her photos.
Film Commentary: “Cuckoo’s Nest” in the Age of Trump — Viewer Beware!