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This Rhode Island-shot Woody Allen film has its pleasures: interesting actors, philosophical chitchat, an appealing academic setting.
One of Unknown Soldier’s powerful choices is that its central characters are not your standard young lovers.
The trio’s musical offerings were substantial and not the easiest things for an occasional group to pull together.
James Tate remains true to himself. These prose-poems are often stellar, harrowingly distinctive, and worthy of repeat visits.
In Arlene Shechet’s mischievous hands, the medium’s power as a shape shifter runs wild.
Perhaps there’s no way to reproduce the subtlety of this work in the theater today. Our stages are so materialistic, so technological.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
For all of its sound and fury and smoke, the CSC’s version of King Lear is solid rather than surprising or exciting.
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