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Henry Rollins insists on defining himself strictly on his own terms.
Read MoreWhen an opportunity to celebrate USCO’s pioneering work came along, I just had to curate it.
Read MoreI love the way Blame captures the kaleidoscopic emotional experience of being a teenage girl.
Read MoreThree incisive visions of what’s to come from largish groups of committed musicians.
Read More“Everything about the Holocaust already seems so thoroughly unreal, as if it no longer belongs to the experience of our generation, but to mythology…”
Read MoreWilliam Gass’s primal loyalty was to the words composing his texts.
Read MoreSteven Spielberg’s political timing is nearly perfect, and so is his film.
Read MoreStanley Sagov never wants to play a piece the same way twice. He’s always engaged in a “search for freshness.”
Read MoreWhat has Black Mirror been good for, beyond entertainment, if not drawing our attention to escalating social and technological perils?
Read MoreBrian Blade is not only a skillfully discreet: he can be as powerful as any drummer since Elvin Jones.
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