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There are unplanned moments in this three LP collection, times when the musicians seem to be waiting to hear what is going to happen next. Something exciting usually does come out of their interactions.
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Though lapsing at times into hagiography and muddled synopsizing, James Miller’s study of filmmaker Pedro Almodóvar is a bracing reminder of the greatness and ever-evolving genius of this world-class artist.
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The fact that readers have dismissed Jim as a fool or have misunderstood Mark Twain’s intent in Huckleberry Finn reflects on our limitations.
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With visionary daring, Elllen Wilbur leads us into unexpected corners, then transcends them profoundly and beyond expectation. Such stories are more than “moral fictions.” They are soul-shakers.
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Junior Programs undertook “a visionary rethinking of the potential relationship between the performing arts and the lives of the nation’s children, with the specific artistic innovations emerging organically from that rethinking”.
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It is serendipitous that James Ehnes added Brahms’ two viola sonatas to his repertoire; Patrick Messina, Lise Berthaud, and Fabrizio Chiovetta’s new recording of Bruch’s “8 Pieces for Clarinet, Viola, and Piano” serves the piece admirably.
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Given the current state of the world, we need more shows that not only entertain, but reflect the importance of community. And, if those programs accurately portray a close-knit group of people that has been misrepresented, all the better.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Despite its title, this YA novel would be best described as an exercise in magic realist satire. Those looking for heaping helpings of the affluent will be disappointed.
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A conspicuously inviting account of Béla Bartók’s Duke Bluebeard’s Castle, and a welcome surprise: Aram Khachaturian actually wrote a pretty good piano concerto.
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