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The hefty volume is consistently engaging and informative — a lively, visually appealing guide to one of cinema’s most formidable careers.
As is the case with effective satirists, Will Self is nothing if not provocative.
“Suffs” bounces through a timeline of conferences, direct actions, interpersonal snits, and self-questioning over whether the entire endeavor is really worth it.
The documentary tries, perhaps a bit too hard, to turn the Grim Reaper into the Grin Reaper.
“Future Soul” is an exercise in creating maximum accessibility without reducing the band’s extraordinary musicianship.
While each female protagonist makes some rough decisions, the series never pigeonholes them as villains or saints.
Daniel Okrent’s “Art Isn’t Easy” is an engaging if familiar introduction to one of theater’s most complex figures – though seasoned Stephen Sondheim devotees may find themselves wanting more.
“Project Hail Mary” is an antidote to dystopias, real and imagined.
Film Feature: From the Sewers, With Love — BUFF’s New Directors Bring the Underground Back to Boston
“It’s spring; we rise again. BUFF’s back, we’re bringing hell with us. The underground is back.” — Phil Healy, co-director of the Boston Underground Film Festival
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