Posts
This week’s poem: Martha McCollough’s “always the “schaden “never the “freude”
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The not-to-be missed “Symphonic Chronicles IV” is a very welcome alternative to much of the atonal, modern classical music currently flooding the market.
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Sunday’s 100-minute show at Crystal Ballroom offered a celebration of what Gang of Four means for its surviving original members and followers alike, including newer generations represented onstage as well as in the packed hall.
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The future for documentaries looks troubling, but the IFFBoston perseveres.
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American darkness is now up front and personal. “Holland”‘s stale moves miss where we are now — disaster isn’t hidden, it is in clear view.
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This was a “Resurrection” Symphony for today: urgent and unsettled, yes, but also searching, persevering, and, ultimately, triumphant. If the weekend turns out to have marked conductor Benjamin Zander’s last go-around with this masterpiece, what a way to finish.
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Exposure is a septet assembled to perform Robert Fripp’s quirkily diverse, overlooked 1979 solo album “Exposure” for the first time ever, in sequence.
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The author argues that “the only way to prevent the senseless acts of cruelty” that result from the “grinding gears” of the “machinery of death” is to “retire the machinery altogether.”
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Joe Wright’s 2005 adaptation of Jane Austen was a cultural tipping point; he was the bold standard bearer for what has become a spirited new form of historical cinema.
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Arts Commentary: From the Editor’s Desk — By Popular Demand, 2024
Back in February of 2024 I began to write a weekly column for the newsletter on Substack. A few readers have asked that I post these opinion pieces in the magazine. Here is a selection of my favorites.
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