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As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
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In the annals of Russian repression, The New Greatness Case was a display of government overkill — until the events of this year redefined overkill.
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This is a quicksilver drama about how a loving couple reacts as devastating bolts of lightning strike.
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Once they experience the ambiance and the remarkable acoustics, Groton Hill Music will likely emerge as a regular tour stop for New England bound performers.
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If you find David Cronenberg’s cinematic philosophy on bodily abjection/assimilation and the artistic process intellectually stimulating, then you’re in for an intoxicating return to form from the man whose name is synonymous with the body horror genre.
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Winner of seven Cesars, this mordant portrait of the corrupt Parisian press mid 19th century, along with the commodification of just about everything, speaks loudly to the internet era.
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This exhibition is impressive in drawing connections between material goods and labor, creating beauty out of unconventional forms.
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Jurassic World: Dominion feels like Universal pureed every spec script for a Jurassic Park sequel ever sent to it by first-year film students. It’s narrative slurry. Like the pink slime used as filler in cheap burgers.
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Daniel Raim’s Fiddler’s Journey to The Big Screen is a terrific documentary about the creation of the titular film.
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Theater Commentary: “1776” — American Theater Jigs as Democracy Dies?
Maybe I am an alarmist and the rich and powerful know something the rest of us don’t. Perhaps the midterms will not put another nail in the coffin of democracy. Apparently, it will be business as usual for the A.R.T. and other American theaters — until it can’t be.
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