Search Results: 1971 project
An Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreBy Caldwell Titcomb Some of the dancing feet in a scene from the Boston Conservatory production of “42nd Street.” I don’t know about you, but I’ve always been a sucker for tapdancing – whether the unsurpassed solo hoofing of the late Gregory Hines (1946-2003) or an entire stage of unison clickety-clacking. Tapdancing was a stage…
Read MoreDe Stefano tracks the evolution of a cabinet-maker’s daughter into a famously bombastic, chain-smoking political reporter and author.
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There’s no question in my mind that Woodlands Dark and Days Bewitched will remain the definitive work on the history of folk horror for many years to come.
Read MoreAmong the classical possibilities this month, the Discovery Ensemble tackles Stravinsky’s perky, neo-classical “Dumbarton Oaks Concerto,” The Spectrum Singers offers a rare chance to hear the Mass, Op. 130 by the Belgian composer Joseph Jongen, and Boston Musica Viva serves up two world premieres: Bernard Hoffer’s Piano Trio (“Cosmic”), and Chris Arrell’s “Convergence.” By Caldwell…
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read More
Film Commentary: “Between the Lines” Eulogizes the Beginning of the End of Boston’s Alt-Weekly Era
Even 42 years ago, disillusionment was setting in among the workers at alt-weekly papers like The Real Paper and The Boston Phoenix.
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