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Éric Vuillard’s method is to create an ironic rapport with the powerful: his vignettes dramatize how France’s elite delude themselves into thinking the colonial world order can be kept intact after World War Two.
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Here’s this week’s poem, January Gill O’Neil’s “The Map.”
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Through fresh new works and a welcome toss-up of pieces commissioned during Koussevitzky’s historic tenure, the BSO’s coming season will honor the fullness of the Russian-born conductor’s legacy.
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This is what cinema is all about and these will probably be some of the best movies you will see all year.
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The Town and the City Festival honors the “spirit of [Jack] Kerouac, a celebration of exploration, discovery, love of life, those things that he wrote about.”
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If Andris Nelsons’s direction revealed one thing, it’s that violinist Anne-Sophie Mutter and composer Thomas Adès make a stellar musical pairing.
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Were the entire film a road tripping adventure between a high school girl and a silly little chair she has to either carry in her arms or lug around in an oversized knapsack then I’d be able to recommend the film with full enthusiasm.
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The road to ultimate destruction is lined by spiritual apathy, intellectual carelessness, and moral equivalency.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Author Interview: Dr. Peniel E. Joseph on the Third Reconstruction and Hope for a Multiracial Democracy
Blake Maddux talks to Peniel Joseph about his latest book, “The Third Reconstruction: America’s Struggle for Racial Justice in the Twenty-First Century.”
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