Posts
Nathan Go’s debut novel is entertaining, emotionally resonant, and raises provocative questions about forgiveness, redemption, and love.
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This week’s poem: Jennifer Martelli’s “The Chain.”
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Bravo for the Boston Dance Theater’s decision to venture outside of Boston and perform at an interesting venue in Portland, ME.
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The fox knows many things in My Stupid Intentions. The beech marten just one.
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Given the overwhelmingly loud and appreciative response from the sold-out crowd, which hung on every note of Leslie Odom, Jr.’s diverse and stirring set list, he’s unlikely to forget Groton anytime soon.
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Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.
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At New Hampshire’s just-christened Nashua Center for the Arts, 68-year-old jazz guitarist Pat Metheny shared a wily sidelong glance at his own broad compositional and improvisational history.
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In the Actors’ Shakespeare Project’s likable staging of As You Like It, love looks pretty durable.
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As usual with Craft Recordings reissues, these lps are impeccably produced: the silence of the recording before the music starts is almost startling, but it’s the clear sound of what follows that is most impressive.
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This American Repertory Theatre co-production gets so many of “Evita”‘s elements right — now all it needs is the musical’s combative soul.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?