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By Bill Marx Critic Debra Cash’s excellent writings on dance can be found on The Arts Fuse. She has new book of poetry out, timed perfectly for the upcoming Jewish holiday. The lyrics in the volume Who Knows One are “based on stories, language, and associations connected to the Passover Haggadah.” Those who have admired…
Despite some poignant moments, “Greenberg” ends up as a half-cooked film about half-cooked people. Reviewed By Justin Marble In perhaps the most revealing scene in Noah Baumbach’s latest film, “Greenberg,” Ben Stiller’s title character stands in the middle of a party, alone, as the director’s camera slowly moves in on him from above. The partygoers…
I am not sure that men at present think more profoundly than half a century ago, but beyond question they think with more rapidity, with more skill, with more tact, with more method and less of excrescence in the thought. Besides all this, they have a vast increase in the thinking material; they have more…
Although the memoir has been called luminous, wise, humble, piercing, and all sorts of other laudatory adjectives, it is, nevertheless, not an easy book to read because you keep wondering how you would manage in this situation. Making Toast by Roger Rosenblatt, Ecco Press, 166 pages, $21.00 Reviewed by Roberta Silman At the end of…
Reviewed By Caldwell Titcomb I was not able to catch Ariadne auf Naxos until the last of six performances that the Boston Lyric Opera (BLO) presented at the Shubert Theatre. By this time everything was clicking superbly—both the singers and the instrumentalists in the pit. What we got was a production that the BLO imported…
Imagine this day. See it in your mind. The sun on your face. The spring in your mouth. Your heart deep inside. No future. No past. No time. Just this day. This moment. — Apple by Vern Thiessen Apple by Vern Thiessen. Directed by Greg Maraio. Presented by Phoenix Theatre Artists and Company One, at…
Why this is hell, nor am I out of it.— Christopher Marlowe, Dr. Faustus Adding Machine: A Musical. Based on the play The Adding Machine by Elmer Rice. Original Music by Joshua Schmidt. Libretto by Schmidt and Jason Loewith. Directed by Paul Melone. Steve Bergman, Music Director. David Connolly, Choreographer. Susan Zeeman Rogers, Set Design.…
Artists should “no longer huddle in the confines of a painted box set” but instead join together to “find visible and audible expression for the tempo and psychology of our time” and dramatize “the search of the average American today for knowledge about his country and his world.” – Hallie Flanagan, Federal Theatre Project Stick…
Der Zwerg (The Dwarf) by Alexander Zemlinsky. Libretto by George Klaren, based on Oscar Wilde’s “The Birthday of the Infanta.” Staged by OperaHub at the Boston Center for the Arts, Boston, MA, through March 13. Free Reviewed by Helen Epstein For a truly worthwhile evening of music drama—free admission no less—get yourselves to the Boston…
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