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“The Artist” works on two levels: the audience in the film and the audience watching the film are entertained by the same things. And it’s that simplicity – the era when silent movies were all they had and it was good enough – is the real protagonist.
Read MoreA staged reading of an illuminating play by Motti Lerner about the devastating impact of war on men and women in Israeli society.
Read MoreSome fiction can, literally, have the smell of too much research. And so, although I admire the ambition and scope of Audrey Schulman’s new novel, “Three Weeks in December,” I also feel that she made things harder for herself than she needed to.
Read MoreFrom James P. Johnson to Thelonious Monk to Jason Moran, inspired mentors carry the past into the future.
Read MoreTo judge from the all-around energetic playing of the BSO, it seems conductor Jaap van Zweden has struck a good rapport with the players and I, for one, look forward to hearing more from him in coming seasons.
Read MoreArt with a capital A has been put on such a pedestal that Craft with a capital C has been downgraded to a shabby or rustic sort of activity of which the practitioner should be a little ashamed. ’Tain’t so.
Read MoreAlthough I was disappointed in this Manhattan Theatre Club production, I am, however, very glad to have seen “Wit” — it is a contemporary classic.
Read MoreDominique Eade’s two greatest gifts are her clarity of musical thought and her courage as an improviser. She does not try to be a cabaret-style interpreter or a ring-a-ding-ding swinger.
Read MoreWhat more could you ask than that a musical comedy version of The Addams Family cast a kooky spell?
Read MoreElegantly written, cogently argued, and filled with trenchant artistic analyses, Alexander Marr’s book exemplifies interdisciplinary studies at their best.
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