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Friday’s was the first of a series of strong, interesting programs H&H is offering this season. If its success is any indication of what’s to come (and I hope it is), we should have a very special few months ahead of us, indeed.
Read MoreIt was a rocking night, full of fun and energy. It was intelligent, maybe even a bit brainy at times.
Read More“The Boston theatre community can always profit from international influx. The German theatre scene in particular is quite innovative both in the plays being written and the productions that reach the stage.”
Read MoreTHE ART OF ROBERT FROST helped me get closer to the poems and in doing so helped me get closer to the poet.
Read MoreFor performers and audience members alike the Shalin Liu setting is as much a part of the experience as the music. It has quickly transformed the intimate hall into a destination location for a growing number of admiring artists.
Read MoreThe director of THE MASTER, Paul Thomas Anderson, runs toward Scientology as fast as he runs away from it and its top guns (Tom Cruise did visit the set to lodge a few complaints).
Read MoreThe first episode of the “Blood Rose Rising” series possessed creepy comic potential and an intriguing mix of multimedia, magic, and thrills that hinted at even better things to come. Alas, these hopes were dashed.
Read MoreMark Harvey and the Aardvark Jazz Orchestra: It’s hard to remember what the Boston jazz community was like before Harvey came along. In fact, the term “jazz community” would have seemed far-fetched at best if anyone had used it.
Read MoreDirector Paul Thomas Anderson doesn’t provide answers nor does he pose questions: the ambiguity of his characters and his confounding storytelling style are what drive “The Master.”
Read MoreIntimacy has been the key note of bossa nova performance ever since the initial murmurings of Joao and Astrud Gilberto, and singer Eliane Elias can whisper with the best of them.
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