Year: 2011
In his dozen or so works of international best-selling fiction, Haruki Murakami has created an alternate-reality Japan that is at once magical and familiar, dangerous and comfortable, foreign but Westernized.
Read MoreBoth of these novels about social corruption should be in every Occupy Wall Street library in the country: inequality is not a matter of fate but the result of an exhausted acquiescence to subterfuge.
Read MoreMan Ray | Lee Miller, Partners in Surrealism explores the relationship between two of the most celebrated surrealists of the 20th century, but the pattern of influence comes off as revealingly lopsided — the female artist of the pair more often than not inspired the male.
Read MoreMartha Graham famously said, “I wanted to find a way to reveal the inner landscape – to chart a graph of the heart.” So now it’s your turn to play therapist.
Read MoreViolinist Itzhak Perlman is the go-to guy when a world-class violinist is needed at presidential inaugurations, for visiting royalty, and as a guest for cooking shows.
Read MorePart of the great experiment that is Artisan’s Asylum: meeting your neighbors, realizing you need someone to help you solder/weld/create a 3d prototype, and then wandering amongst the open workspaces until you meet a co-collaborator.
Read MoreIt was clear from the moment Ludovic Morlot mounted the podium that he and the Boston Symphony Orchestra possess a strong chemistry: the players clearly respect him and they responded to his leadership with precision, energy, and feeling.
Read MoreThe Steve Kuhn – Sheila Jordan partnership has been one of the luckiest things ever to happen to either of them, or for us as listeners.
Read MoreClassical Music Review: Worcester Chamber Music Society — A Deeply Memorable Evening of Music Making
The Worcester Chamber Music Society’s combination of repertoire demonstrated how creative programming can lead to highly satisfying musical results: each piece had something to say to or about its neighbors and the cumulative effect of hearing them in such a context made for a deeply memorable evening of music making.
Read MoreThis is the fourth installment of Debra Cash’s coverage of events associated with the Institute of Contemporary Art’s Dance/Draw exhibition.
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