Month: October 2011
Anthony Wallace’s interview on last year’s John Coltrane Memorial Concert, which includes questions about a book on the musician’s spirituality, offers plenty to think about before the 2012 version of the homage to the master musician, which takes place on November 3rd.
Read MoreWith Reverse Thread, Regina Carter moves beyond conventional boundaries, her music a rich blend of jazz and world music—a cross-cultural exploration of modern and traditional music that expands the boundaries of both genres. Regina Carter. At the Shalin Liu Performance Center, September 24. Her album is Reverse Thread (E1 Entertainment). Carter will be performing in…
Read MoreIn the coming week there will be screenings of a variety of horror films from over the decades — you choose how you want your spine tingled. And don’t forget to dress up
Read MoreDespite some interpretive shortcomings, Sean Newhouse, the orchestra’s 30-year-old assistant conductor has solid technique, and a major orchestra whose players, management, and audience believe in him.
Read MoreGiven the power, glory, and fun the Boston Babydolls supply with their burlesque routines — pasties and nipple tassels whirl with furious aplomb — the lack of spooky payoff in “The Wrathskellar” amounts to a minor drawback.
Read MoreIn locales as varied as Israel, Kenya, Massachusetts, and the country of the brain, and in rough groupings of poems about small daily epiphanies, relationships, loss and death, and the sad affairs of the world, the poems in “The Illustrated Edge” explore the meandering paths of all sorts and mixtures of feelings.
Read More“The Ides of March” tells the same old political story: we know how tedious the campaign season is, we know that deals are made behind doors and that all that really matter are the numbers.
Read MoreMust age diminish a great poet’s strengths? If I grant that age has such power, I’m left to ponder the truly strange fact that death does not.
Read MoreA symptom of our times: two books by self-described critics that aren’t particularly critical. Informed, lucid, thoughtful, and explanatory, yes –- strongly evaluative, no
Read MoreAudra McDonald is so popular on stage, in concert, and on television that she has become, to many, a one-name goddess like Bette, Judy, and Barbra. Judging from her recent star turn in the American Repertory Theater’s production of “Porgy and Bess” and this brilliant concert, she can give the other One-Named Ones a run for their money.
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