Month: November 2010

The Fuse in London: Jazz Festival Diary 6 — Sonny Rollins

November 21, 2010
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Like a guru, Sonny Rollins offered words to live by at the conclusion of the show, words that are his own guidelines as much as they were advice to his fans: “Keep yourself straight and never mind the rest of the world.” By Steve Elman Imagine a great, blank canvas. Now begin to populate the…

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Classical Review: BMOP’s ‘Virtuosity’s Velocity’

November 20, 2010
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Composer John Adams (b. 1947) was represented by two impressive works: “Chamber Symphony” (1992), and “Son of Chamber Symphony” (2007). For some reason the latter opened the concert and the former closed it, but no matter. By Caldwell Titcomb The Boston Modern Orchestra Project (BMOP) kicked off its season with a Jordan Hall program on…

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The Fuse in London: Jazz Festival, Diary 5

November 20, 2010
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Of course, that was the reason I was there. One of the best features of the London Jazz Festival is the programmers’ willingness to expose musicians from other world music traditions who engage with jazz in some meaningful way . . . By Steve Elman. Well, I just can’t remember the name of that pop…

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Visual Arts Feature: Spotlight on Scaasi — Revisiting an American Couturier

November 19, 2010
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This exhibit is ideal for the budding designer to come and admire dresses with structured tulle, unique hems, bias cut silk, pounds of beads, sequins, and rhinestones, weaved organza and mink accents. Scaasi: American Couturier at the Loring Gallery at the Museum of Fine Arts, Boston, MA until June 19, 2011. By Megan Trombino It…

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Fuse Visual Arts Review: Questioning the Image

November 18, 2010
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But The Image in Question begs a crucial question: Isn’t modern media supposed to be flashy, colorful, and loud beyond all sane toleration? Aren’t  shrill, unceasing proclamations a part of what drives some individuals away from television and video-games to art galleries, the concert-hall, and the cinema? THE IMAGE IN QUESTION. WAR — MEDIA —…

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The Fuse in London: Jazz Festival, Diary 4

November 18, 2010
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One of the primary reasons I’m in London is to hear Martial Solal play in person. He’s had sporadic exposure in the US, always to acclaim. But the acclaim never lasts because he rarely performs on the opposite side of the Atlantic and his American commercial releases are infrequent. By Steve Elman Quick, can you…

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The Fuse in London: Jazz Festival, Diary 3

November 16, 2010
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But on to the bliss of the first half, and I don’t use the word “bliss” lightly. In every respect, John Scofield, Steve Swallow, and Bill Stewart are one of the most cohesive units in jazz, and their hour together was superb. By Steve Elman. John Scofield was the headliner last night, but it seems…

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Fuse Film Clips: Focus on the Boston Jewish Film Festival, Final Films

November 15, 2010
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A Jewish film festival is at heart a communal event, even longer than Hanukkah. If one needs proof of community, see who the sponsors are. By Joann Green Breuer. My final film of this year’s Boston Jewish Film Festival was The Girl from a Reading Primer, directed by Edyta Wroblewska in Poland. It is short…

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The Fuse in London: Jazz Festival, Diary 2

November 15, 2010
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So what’s the critic’s function when the music itself doesn’t have critical mass with the public? Surely not cheerleading or hype. But surely not nose-in-the-air either. By Steve Elman. Well, some editors are paying attention. There were two London Jazz Festival (LJF) reviews, occupying a half page in the Times this a.m. Maybe the reason…

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The Fuse in London: Jazz Festival, Diary 1

November 14, 2010
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Why aren’t more people in the print media here paying attention to the London Jazz Festival? Last year, when I attended a week of the festival, I idly thumbed through the Times each day looking for reviews, previews, any mention at all, and coverage seemed meager. This year, the same or maybe less coverage. By…

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