World Books
This handsome edition of Yves Bonnefoy’s recent poetry and prose in English translation is a stunning presentation of a major poet.
A strange mix of characters who all have complicated pasts gives rise to a novel that blossoms — exactly as a flower does — into a complex drama that includes several points of view and a wide range of emotions.
In light of the many translations of Cyprian Norwid’s verse into English, Danuta Borchardt thought carefully about what she was going to focus on.
Some fiction can, literally, have the smell of too much research. And so, although I admire the ambition and scope of Audrey Schulman’s new novel, “Three Weeks in December,” I also feel that she made things harder for herself than she needed to.
Italian writer Niccolò Ammaniti usually writes with an unadorned style about moral predicaments of the young in small-town Italy. “Me and You,” a slender effort in all respects, covers this ground as well, with the difference that fourteen-year-old protagonist Lorenzo Cumi is from an affluent Roman family.
Certainly part of the power of Tomas Tranströmer’s poetry resides in how, having established a jagged consciousness, he leaves us in between—in a world full of questions that are not easily resolved.
The novel is a brilliant psychological thriller, and several other things as well — a very quiet love story, a narrative of a remarkable friendship between two men, and an exploration of the corruption rampant in Argentine politics in the late 60s and 70s.
There is no way that The Arts Fuse was going to miss celebrating the 100th birthday of one of the greatest satirists of the 20th century — Irish genius Flann O’Brien.
Mahmoud Darwish, who died in 2008 at the age of sixty-seven, was best and heroically known for his complex perspective on political and spiritual borders — as both a poet and a spokesman for his Palestinian people.
In his dozen or so works of international best-selling fiction, Haruki Murakami has created an alternate-reality Japan that is at once magical and familiar, dangerous and comfortable, foreign but Westernized.
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