Visual Arts
A trio of reviews of volumes on structures on paper and in the world.
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The show may be a case of inside baseball, appealing to a small group of art history majors and museum lovers. But it offers a fascinating look at innovation at one of the country’s most revered, and most traditional, colleges.
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This show uses an impressively clever use of technology to create sign posts on a path through labor history, psychiatry, and textile design.
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This book is an anti-biography that argues Leonardo had little interest in autobiographical self-promotion and claims that the many gaps in the historical record prevent him from cohering as a biographical subject
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This show is proof of the Harvard Art Museums’ commitment to display relevant work by living artists who are grappling with critical issues posed by our contemporary world.
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It is clear to Candy Darling’s biographer that the present moment contains alarming reminders of the political scapegoating generated by the culture wars of the ’90s. She leaves no doubt that her subject’s difficult, complicated life embodies a cautionary tale.
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This exhibition offers much to appreciate about South Coast women, whose lives and accomplishments have played a crucial role in shaping the region.
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When Barry Schneier felt it was time for his next photography project about musicians, he decided to get to know his subjects, not just shoot them.
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A look at three exhibitions of photography — two of them shine a revealing light on personal and political concerns.
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Museum exhibitions take a long time to put together, and the circumstances that justify them at their inception sometimes evaporate by the time they appear.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner