Visual Arts
This biography of Keith Haring is a compendium of vivid, first-person narratives that provide an engaging insider’s perspective on the artist’s life.
Read MoreThis is a small show, only 18 pieces, but each drew me into thinking about what I was seeing and, simultaneously, how the artist made it.
Read MoreThese five artists do indeed make their voices heard. They shine as soloists, and their messages are only amplified when they join into a chorus of multi-part harmony.
Read MoreThe overall impression of this valuable exhibit is to remind us that religious conviction is by no means synonymous with conservatism.
Read MoreBoston’s veneration of John Singer Sargent is awkwardly implicated in the city’s habit of denouncing modern art.
Read MoreAnka Muhlstein’s book is probably best read as a biography of a hard-working family man and not as a thorough assessment of Pissarro’s art.
Read MoreAmid the year’s chaos, art was a saving grace, civilizing and humanizing: a much needed blessing that allowed us to breathe, to inhale beauty and perhaps a whiff or two of truth.
Read MorePlan to linger over every moment of this revelatory, diverse, and understated special exhibition.
Read MoreThe textile arts have been dissed by so many narrow-minded educators and critics over the years that it is heartening to have two exhibits (and their catalogues) treat the art of the woven with the respect and awe that it deserves.
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Visual Arts Commentary: The Problematics of Multiculturalism at the MFA — On the Dallin Front
Boston’s MFA owns the ethical and cultural dilemma regarding the location of Cyrus Dallin’s monumental statue “Appeal to the Great Spirit,” acquired as a gift in 1913.
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